*Film Review: House of Ga’a*
*By Mujeebat Idris*
*The Movie As an Epic*
*House of Ga’a* is a captivating historical drama that delves into the life of Bashorun Ga’a, a powerful and notorious figure in the ancient city of Oyo. This film not only explores themes of power, betrayal and vengeance but also vividly brings to life the rich customs and traditions of the Yoruba people.
*Protagonist Turned Antagonist*
The story revolves around Bashorun Ga’a, a warrior whose battlefield prowess is matched by his ruthless ambition. Initially lauded for his military victories alongside the Aare of Ajase, Ga’a’s thirst for power quickly becomes his undoing. Claiming sole credit for their triumphs, he rises to become one of the seven decision-makers of Oyo (the Oyomesi). However, his hunger for control leads him down a dark path, as he defies the king’s orders and murders two chiefs out of vengeance for his brother’s death. This defiance triggers a series of events that culminates in the king’s forced suicide and a curse upon Ga’a’s household.
*Main Character as Mafia*
The film skillfully portrays the devastating effects of unchecked power, as Ga’a manipulates and eliminates kings who resist his influence. His eventual downfall, brought about by his own hubris and disregard for his shaman’s warnings, serves as a fitting conclusion to a life steeped in tyranny.
*Yoruba Culture in Display*
One of the film’s strongest aspects is its faithful depiction of Yoruba customs and traditions. The ceremonial practices and leadership structures are portrayed with authenticity, adding depth and cultural richness to the narrative. The performances by the actors and actresses are exceptional, with each character bringing intensity and nuance to their roles.
*An Outstanding Character*
Among the characters, Olaotan stands out as my favourite. His bravery and battlefield expertise make him a compelling figure, embodying the heroic traits of his father while navigating the violent world shaped by Ga’a’s influence.
*Nudity as Depraving*
However, the film includes some scenes that, while related to the storyline, feel unnecessary to me. Specifically, the moments involving Zainab where she reveals her breast seemed gratuitous. Though these scenes are tied to the narrative, I believe they could have been handled more subtly without detracting from the overall impact of the film.
*History Blends with Culture*
Despite this minor negative instance, *House of Ga’a* remains a powerful and well-crafted film that seamlessly blends history, drama, and culture. Its intricate plot, strong performances, and authentic cultural depictions make it a must-watch for fans of historical dramas.
*Produced and directed by Bolanle Austen-Peters*
Rating: 9/10.
**Mujeebat Idris* ,a bronze winner of Commonwealth Essay Competition 2021, is a first-class undergraduate of Law at Crescent University Abeokuta.
